
by
Susan Dennard
—
This was originally posted on Let the Words Flow, but I have tweaked it slightly to share with our new world of Pub(lishing) Crawl readers.
One thing writers hate doing but will inevitably have to do (one day or another, at least) is the Dreaded Synopsis. An agent may request it in his/her submission materials, or an editor might want it once your agent has you out on subs. My film agent needed it for shopping around Something Strange & Deadly, and I would imagine other rights-agents would want a short, simple synopsis for the same reason.
So in other words: you have to learn to do this. You need it before you’re published, and you’ll certainly need it afterwards. Specifically, you’ll need to be able to write the 1 or 2-page synopsis.
But Sooz, you say. It’s hard to boil my whole ingenious novel into a few key sentences. To convey the depth, the emotion, the literary power of your novel in 500 words or less–impossible!
Ah, but is possible my friends. It’s possible and can even be fun (if you enjoy mental torture like me). To learn how to write a short synopsis, I took workshops, read books, and wrote a few drafts until I had a gleaming 1-page book summary. And after all that practice, I realized I had my own method (built from the methods of my various teachers, of course), and I’m sharing that method with you here.
To use this worksheet, fill out the questions in sentence form. Though your story may not follow this exact format, try to find some critical event in the story that can be placed in that space. You will likely notice that the worksheet is very similar to the Hero’s Journey (because most stories follow that format!), and I have filled out the questions using my All Time Favorite Movie as the example.
Once you have filled out the worksheet, rewrite them on a fresh sheet of paper and try to eliminate words, tighten sentences, and variate sentence structure. How many words do you have? You want to shoot for under 500, and you want to have some “space” left for inserting connective words (e.g. meanwhile, then, after, etc.). You also want to have extra space to add any events that are needed for explanation/flow.
Rule of thumb: You should only name three characters in a short synopsis – usually, the protagonist, antagonist, and possible love interest/side-kick/contagonist. All other characters should be referred to by their roles (e.g. the waitress, the mother, the basketball player).
Rule of thumb: You must tell the ending! The purpose of a synopsis is to show an editor/agent you can tell a story from beginning to end. You will not entice them into reading your whole MS if you don’t share the ending – you’ll just tick them off!
Rule of thumb: Do not include subplots unless you have extra space at the end!!!!! Stick to the MAIN PLOT EVENTS.
–
Fill in the Blanks
1. Opening image
An image/setting/concept that sets the stage for the story to come.
Long ago, in a galaxy far away, a controlling government called the Empire takes control of planets, systems, and people. Anyone who resists is obliterated.
2. Protagonist Intro
Who is the main character? Give 1-2 descriptive words and say what he/she wants.
Luke Skywalker, a naïve farm boy with a knack for robotics, dreams of one day escaping his desert homeland.
3. Inciting incident
What event/decision/change prompts the main character to take initial action.
When he buys two robots, he finds one has a message on it – a message from a princess begging for help. She has plans to defeat the Empire, and she begs someone to deliver these plans to a distant planet. Luke goes to his friend and mentor, the loner Ben Kenobi, for help.
4. Plot point 1
What is the first turning point? What action does the MC take or what decision does he/she make that changes the book’s direction? Once he/she crossed this line, there’s no going back.
Ben tells Luke about a world where the Empire rules and Rebels fight back, where Jedi Knights wield a magic called the Force, and how Luke must face Darth Vader – the man who killed Luke’s father and now seeks to destroy Luke too. Luke refuses, but when he goes back to his farm, he finds his family has been killed. He has no choice but to join Ben.
5. Conflicts & character encounters
Now in a new life, the MC meets new people, experiences a new life, and meets the antagonist/villain.
To escape the desert planet, Ben and Luke hire a low-life pilot and the pilot’s hairy, alien friend. Luke, Ben, Luke’s robots, the pilot, and the hairy friend leave the planet and fly to the Death Star, Darth Vader’s home and the Empire’s main base.
6. Midpoint
What is the middle turning point? What happens that causes the MC to make a 360 degree change in direction/change in emotion/change in anything? Again, once he/she has crossed this line, there’s no going back.
Once on board the Death Star, Luke discovers the princess is being held as a hostage. He and the group set out to find the princess, while Ben sets out to find a way for them to escape the base.
7. Winning seems imminent, but…
What happens that makes the MC think he/she will win? She seems to have the upper hand, but then oh no! The antagonist defeats her and rushes off more powerful than ever before.
After rescuing the princess, Luke and the group try to escape. Ben sacrifices himself so they can flee, and Darth Vader kills Ben. The group flees the Death Star on their own ship.
8. Black moment
The MC is lower than low, and he/she must fight through the blackness of his/her emotions to find the strength for the final battle. What happens here?
Luke is devastated over Ben’s death, and he is more determined to fight Darth Vader and help the Rebels defeat the Empire. Luke joins the Rebel army, and helps them plan an attack on the Death Star’s only weakness.
9. Climax
What happens in the final blow-out between the MC and the antagonist?
The Death Star arrives in space near the Rebels, and the attack begins. Luke joins the assault team of fighter ships. The Rebels suffer heavy losses, and soon Luke is one of the few remaining pilots and ships. He takes his chance and initiates the final attack. Guided by Ben’s voice and the Force, he manages to fire the single, critical shot to explode the Death Star.
10. Resolution
Does everyone live happily ever after? Yes? No? What happens to tie up all the loose ends?
With the Death Star destroyed and the Empire severely damaged, the Rebels hold a grand ceremony to honor Luke and his friends. The princess awards them with medals for heroism.
11. Final image
What is the final image you want to leave your reader with? Has the MC succumbed to his/her own demons or has he/she built a new life?
Though Luke is still sad over the loss of Ben and his family, he has found a place among the Rebels, and with them, he will continue to fight the Empire.
–
Putting It All Together
Long ago, in a galaxy far away, a controlling government called the Empire takes control of planets, systems, and people. Anyone who resists is obliterated.
Luke Skywalker, a naïve farm boy with a knack for robotics, dreams of one day escaping his desert homeland. When he buys two robots, he finds one has a message on it – a message from a princess begging for help. She has plans to defeat the Empire, and she begs someone to deliver these plans to a distant planet. Luke goes to his friend and mentor, the loner Ben Kenobi, for help.
Ben tells Luke about a world where the Empire rules and Rebels fight back, where Jedi Knights wield a magic called the Force, and how Luke must face Darth Vader – the man who killed Luke’s father and now seeks to destroy Luke too. Luke refuses, but when he goes back to his farm, he finds his family has been killed. He has no choice but to join Ben.
To escape the desert planet, Ben and Luke hire a low-life pilot and the pilot’s hairy, alien friend. Luke, Ben, Luke’s robots, the pilot, and the hairy friend leave the planet and fly to the Death Star, Darth Vader’s home and the Empire’s main base. Once on board the Death Star, Luke discovers the princess is being held as a hostage. He and the group set out to find the princess, while Ben sets out to find a way for them to escape the base.
After rescuing the princess, Luke and the group try to escape. Ben sacrifices himself so they can flee, and Darth Vader kills Ben. The group flees the Death Star on their own ship. Luke is devastated over Ben’s death, and he is more determined to fight Darth Vader and help the Rebels defeat the Empire. Luke joins the Rebel army, and helps them plan an attack on the Death Star’s only weakness.
The Death Star arrives in space near the Rebels, and the attack begins. Luke joins the assault team of fighter ships. The Rebels suffer heavy losses, and soon Luke is one of the few remaining pilots and ships. He takes his chance and initiates the final attack. Guided by Ben’s voice and the Force, he manages to fire the single, critical shot to explode the Death Star.
With the Death Star destroyed and the Empire severely damaged, the Rebels hold a grand ceremony to honor Luke and his friends. The princess awards them with medals for heroism. Though Luke is still sad over the loss of Ben and his family, he has found a place among the Rebels, and with them, he will continue to fight the Empire.
FINAL WORD COUNT: 452
–
I hope this helps you all! I know I use it as a general guide every time I write a synopsis. Sometimes, I even use it before writing a novel to help me get an idea of the general plot I want to follow.
What about you? How do you write a synopsis? Or do you have any questions about this method?
—
Susan Dennard is a writer, reader, lover of animals, and eater of cookies. Her debut novel, SOMETHING STRANGE AND DEADLY, will be available from HarperTeen on July 24th, 2012. You can learn more about her on her blog or twitter.










70 Comments
Oh, the dreaded one page synopsis! I’ve had to do this twice now. Both times I basically typed up a detailed outline of my book, then whittled it down and whittled it down and whittled it down until only the most important stuff remained. Your method sounds way easier.
Haha, that sounds like my old method. Thing is, now I’m no good at writing a longer synopsis!
Great post! I HATE writing the synopsis: it’s the one thing that I still don’t feel comfortable with. I either include too much information, or not enough. Thanks for breaking it down in such a clear way!
You’re welcome! I really hope it helps!
This was VERY helpful! I always go to rambling even on a short one but I really like how you broke it all down. Thanks!!
Yay! I’m glad it’s useful to you, Amber!! Good luck writing it now.
You’re amazing, Susan.
Haha! I certainly like hearing THAT, Gwen.
Sooz, if you were here right now I would kiss you on the lips. BRILLIANT.
Ooh, the lips. This must mean I’m very special, indeed.
I’m going to have to do one of these soon for when I start querying. Just one quick question? I take it these are–like your example–single-spaced with spaces between paragraphs? If I’m horribly off base, please let me know.
Other than that, this is brilliant. It’s my constant referral tool for working on my own.
You know, I’ve seen it done single-spaced with line breaks between OR double-spaced with 0.5 indent. I think either way works–no one will reject you because of that. I do my short synopses with single-spaced + line breaks, but my longer synopses are double-spaced. Maybe someone else on here will know…?
OMG. THIS IS HEAVENSENT. Thank you so much, Susan!!! This is so very timely for me as it’s on my UBER DREAM LIST 2012 – to get an agent…get published…I need me a rocking’ synopsis. Thanks for the guidance!!!
Well, GOOD LUCK!! And yay! I’m so glad the timing worked out.
Susan, this is a fantastic and useful post. This is one of the hardest tasks we have as writers trying to pitch our work, and you’ve broken it down step by step. Thanks so much!
This is incredible! I love you, Sooz. I’ve bookmarked this, and I know I’ll be referring to it forever.
*flails* Susan, this is spectacular and awesome. Just like you. I’m trying NOT to be an obsessive planner with my current WIP (because it only gives time for that fresh “new” novel idea to spoil). I think writing a synopsis like this will be extremely helpful when planning out the basics of a novel. I definitely plan to refer to this!
You’ve provided us with an easy to follow outline with all the points we need. Wonderful! Thanks!
I’m a little in love with you for reposting this lol Thanks!!
Thanks for posting this! I have to write a synopsis for the first time in the next couple of weeks so I’m going to bookmark this post.
Awesome post Sooz! Yes, I hate the synopsis and have been avoiding it thus far. Heh. I am looking forward to taking your method for a test drive, though. So far I have not developed my own method. *blush*
I started my novel with an outline, so my synopsis pretty much ready before I started. It only needed to be tweaked slightly after the draft was written.
Great worksheet though! Good to make sure each important plot point is there. Thanks for the post!
This post is a lifesaver. I am positive you are made of sunshine and lollypops!
Thank you for this awesome guideline.
I do have a question:
How do you format the top? For example, I know manuscript form and how to format a query letter, but is there a specially way to format a synopsis? Name? Address? Page numbers? Or is it left blank?
Thanks in advance for your help!
Ya know what!? I found something on Agent Query that will help. Thanks again for the great post.
Fabulous post. I have one question I hope you can help me with on this. I wrote one following your guidelines, got it down to about 500 words, and was told by others that they thought it needed to be double-spaced, which would put me back at a 2-page synopsis. Is the one-page synopsis single- or double-spaced? Thanks!!
my gawwd…
Sooz is a genius.
this is so helpful.
godbless you woman!
excellent! this will make writing the dreaded synopsis so much easier. i’m afraid i was also an outline whittler – drove me mad! now i will be insane no longer! i love this and will be sharing with others.
Hi Susan! Great post. Hope you’ve been well.
MaryAnn (JAustenwannabe)
Nicely done.
Very helpful! Thank you for sharing this!
Thank you for this post. It was very helpful. I just submitted my first and I fear it was lacking. This post was very helpful.
This is wonderful. I had a 2K synopsis without any real structure. I’ve shared this with many friends and have had only strong, positive feedback. I’ve gotten requests for this link to the point I’ve bookmarked it. Thank you for this post!
You are smoking hot, Sooz.
Awesome! Its actually awesome article, I have got much clear idea about from this paragraph.
I really really enjoy your article!! Thank you very much!
Thank for the break down it will help me so much.
Upon further review, I just wanted to reassert that you are, indeed, smoking hot, Sooz.
The words ‘one page synopsis’ send shivers down my spine! Thanks for making it so much easier to understand.
NOTE: MAKE SURE that the publisher/agent you’re looking at doesn’t specify single- or double-spaced. I finally boiled my novel down to a page, only to realize I had to half it again! Cutting a 46,000-word book down to 350 wasn’t easy, but it was possible with this technique.
This is awesome, and thanks for the post! My ONE complaint: Darth Vader, not Vadar. ;]
Ha! Gold star to Jake for being the first person in 2 years to catch my spelling mistake!!! I am so *ashamed* to have gotten that wrong.
Yay, I got a star! And maybe a high five? :]
Don’t beat yourself up about it too much, but rather, do so just enough. Haha
I have an actual question, and it could help me out with my homework if you answer. Should the synopsis be presented in a strictly linear fashion? If I were wanting my actual story to have numerous flashbacks, would that be permitted, or something that would be put in place later?
In that situation–if it’s REALLY critical to the plot that you mention the flashback in the synopsis–I would mention it WHEN it happens in the story.
For example, “When John walks into the kitchen for the meeting with his mother, he catches sight of a refrigerator magnet of his family that sends him spiraling into a flashback–a flashback of the day his mother killed his father. Realizing he has walked into a trap, John texts his girlfriend to call the police.”
Does that help?
It does! And I appreciate the haste of your reply! I think my question could be rearranged as so: if you feel the narrative is best served in a non-linear way, do you show that via your synopsis? For example, the main conflict is presented the most, but then the story cuts back further and further to reveal the events that led to the main conflict. Would you write this in your synopsis to reflect how you want to tell the story?
I think you have to decide if your “flashbacks” are typical reveals or a bigger piece of the story structure (e.g. MOMENTO). ALL books have Big Reveal points–areas where the MC/reader learns special backstory or about something happening offstage. My own book, SOMETHING STRANGE AND DEADLY, is all about Eleanor figuring out what the heck her brother was doing–and as she uncovers clues, it triggers memories that lead to more clues. In my one page synopsis, though, I never mention those memories (there isn’t space) but rather the consequence of the memory.
For example: “She escapes from the opera that night, and she and Daniel break into the dynamite factory. Daniel is caught, but Eleanor manages to save him. When they return to the Spirit-Hunters’ lab, they find it was destroyed while they were gone.”
During that passage, there are actually two massive flashback/memory reveals that give Eleanor all the pieces she needs to solve several mysteries at once. BUT, because I don’t have the space to say all that, I just relay the actions she takes that drive the main plot.
Now, all that said, if your story is a different structure than chronological–e.g. MOMENTO–then I would order your synopsis according to the story order (not according to the chronological passage of events).
Does that help at all?
This really helped out quite a bit! My treatment ended up being something like Memento, where it was progressively going forwards and backwards at the same time. I really appreciate your help! I’ll be on the lookout for more posts by you. :]
Hi Susan,
I don’t normally post, but I wanted to thank you for your one-page synopsis guidelines – they’re the most helpful I’ve ever found. I’ve also discovered that they work really well for longer ones too, just by expanding the information but keeping to the same format. Thank you so much.
Finn
Thank you for this information. Even the movie you used as your example reiterated why I must write and produce my first, full-length, feature film. Thanks for the inspiration. God bless you!
Sincerely,
Jason David Raya
San Diego, CA.
what about a synopsis for a multiple POV novel? I stuck to only one character for the query but I feel like I’d be misrepresenting my novel if I relegate the other four main characters to titles or pronouns. Any advice?
Thank you very much Susan! This nuts-and-bolts step-by-step approach helped me break through the impasse I was suffering with my novel. The tale is, in fact, a multiple POV story with co-protagonists and co-antagonists, but concentrating on one protagonist allowed me to revise the first third of the novel and streamline the plot. The synopsis itself is now flowing after months of struggle!
sooper: what I’m doing is only touching on subplots if the co-protagonists or co-antagonists are involved. It’s not a perfect solution, but I expect a 1-page result…
Thank you so much for this method. I can’t wait to try it.
So I’m about to try this out finally, because last year when I wrote a synopsis it was…well, it was bad. So here’s to hoping this will work!! (which I really think it will
)
Thanks for compiling and sharing this, and for using SW as your story template. This will help me attack the dreaded Synopsis Beast!
thank you so much. I’m not a writer, but everytime I read a book, I want to write synopsis to it to improve my writing and language skills. Now I will follow your suggestion and write myself synopsis.
I ran across this, looking for help writing a short synopsis for a query package. Best tips and formula I’ve ever seen, and nicely presented. I’m at 600 words and editing, Thank you Susan Dennard.
I do believe this is the best synopsis template floating around in cyberspace. I prefer the showing approach rather than telling me how to write a synopsis. I’m an aspiring Screenwriter so this will come in handy.
I was asked to write a synopsis for a film producer for the script that I am STILL working on, you can imagine the hassle I’m in, I basically stopped writing the script, and did not write the synopsis either :S This should really help considering the story is there with all the details. This will be very useful! Thanks!
Thank you for writing this. It has really helped me.
Thank you. OMG, thank you. I actually managed to write a bloody synopsis without losing ALL of my hair
Thank you …this really help me
Sooz, I don’t know how to thank you – you have taken away all the fear!
This little tool is just what I have been searching for. It’s also one of those simple devices that remains entirely elusive until someone else points it out and then you think “Aha! Of course!” So, thank you for leading me to the ‘eureka’ moment.
The odd thing is that I have been a great fan of the writings of Joseph Campbell (who was also a great fan of Star Wars) since my teens and so I am very familiar with The Hero’s Journey – but using it in this way never occurred to me before. My novel structure is based on it, so this is just ideal.
Thank you – I’ll be coming back to explore your site further and recommending to my friends.
Thanks for putting up this article. It really helped me shorten my Synopsis and focus on the “meat” of my story. Hopefully my new synopsis will snag an agent.
If you ever have time, please check out my web series “Chrome Justice”, my novella “Gemini Error”, and “The Brain Room” on my website. Thanks again, your method is great!
The website for anyone interested is http://www.adpbooks.com. I write reviews for movies and books in section titled “The Brain Room”
This advice is o helpful – thank you.
OMG Thank you. I can see the light at the end of the tunnel.
what a marvelous shot!! Productive, to the point.. n cut tool !! thnx
Hi Sooz thank you so much. This will really help me as it is the first time that I have to submit a synopsis. You are brilliant THANKS
Thank you so much for your synopsis tips – timely and fantastic.
Wow, thank you so much. This saved me. I just wrote my shortest and most to-the-point synopsis yet! Thank you!
Great post. I came across it when I googled “Is it redundant or bad form to reiterate description or action in the logline in the synopsis. Part of me says, “You’ve already told them that!,” but another part says “But it’s critical in logically plotting out the story.”
Would welcome your comments.
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