This week Kelly and JJ discuss HOW to write compelling characters. Once again, we talk way too much about Dragon Age and Life is Strange. š
Show Notes
- Previous episodes on characterization
- What makes a compelling character? Vulnerability.
- Vulnerability differs from strengths and weaknesses in that vulnerability stems from the character’s subconscious emotional needs. Vulnerability often manifests itself as a driving philosophy or world view that affects all of the characters’ decisions.
- Needs vs. wants = both come from vulnerability. Vulnerability drives the subconscious need of a character, whereas what the character wants is generally an external manifestation of how to assuage their vulnerability.
- How to write compelling characters
- Identify your character’sĀ need.
- A character’s need is not a tangible thing; they are more conceptual, e.g. a fear of being abandoned and the need to protect themselves from that fear vs. the need to feel secure, which can often stem from a deeper fear, like loss of control.
- Reveal your character’s vulnerability through action and small details
- How a character behaves stems from their needs, how they react to stress or other people or events
- Identify your character’sĀ need.
What We’re Working On
- Kelly is wrapping things up before the end of the year
- JJ is drafting her next book
What We’re Reading
- Last Seen Leaving by Caleb Roehrig
- Not Now, Not Ever by Lily Anderson
Off Menu Recommendations
- Earth Kingdom Prairie Home Companion (Kelly and JJ and their friend Mike’s Avatar: The Last Airbender podcast!)
- 36 Questions: The Musical
- The Last Five Years
What You’re Asking
What trad pub debuts, what’s the best marketing/publicity thing the authors can do on their own? And when’s a good time to dig into it? (I’m about a year out and totally overwhelmed by conflicting info/advice)
āMike Chen
Well…this isn’t helpful in any practical sense, but only do the promotion that you likeĀ doing.Ā A year out is a bit far in advance to be worrying about these sorts of things. We’ve talked about promotion on the podcast before, but marketing/publicity is something you should coordinate with your marketing/publicity department. However, if you are looking something concrete to doĀ right now, start up a newsletter and build up your subscribers. Having bookmarks or business cards is also useful. Networking is more useful at this stage of your publishing journey than active, front/reader-facing promotion.
Thatās all for this week! Next week we will be on hiatus for the holidays, but we shall return with more in the Crafting Characters series! As always if you have any questions, feel free to leave them in the comments below, send us an ask on Tumblr, or tweet using the hashtag #askpubcrawl!
I’m planning on applying to the Columbia Publishing Course and the NYU Summer Publishing Institute, and I was wondering what you thought of the programs?